Movie Timings Jammu: ‘Jazba’ – Stylishly thrilling 


Film: “Jazbaa”; Cast: Aishwarya Rai Bachchan, Irrfan Khan, Shabana Azmi, Chandan Roy Sanyal, Atul Kulkarni, Jackie Shroff and Sara Arjun; Director: Sanjay Gupta; Rating: ***1/2

Anuradha Varma (Aishwarya Rai Bachchan) is a successful criminal lawyer whose life turns topsy-turvy when her young daughter Sanaya (Sara Arjun) is kidnapped suddenly. As ransom, she is compelled to handle the case of a murderer and rapist Niyaaz (Chandan Roy Sanyal) and has to ensure he walks out free.

Loaded with grey characters, “Jazbaa” is the transformation of a confident criminal lawyer into a helpless and frustrated mother, trying to rescue her daughter from her kidnappers.

Aishwarya, seen on screen after a long hiatus, has a pivotal role, which she fits to perfection. Confident, erudite as a lawyer, she portrays the anguish of a single mother searching for her daughter with equal ease and aplomb.

Irrfan as Inspector Yohan, who is Anuradha’s childhood friend, delivers one of his best performances. His character is multi-faceted: quirky, emotional, caring, efficient and corrupt. Cumulatively, these make his character interesting and endearing.

Siddhanth Kapoor as Sam Maklai, son of Mahesh Maklai, fails to impress even though he tries to bring histrionics to the screen in the bit role he has.

Atul Kulkarni, as the public prosecutor, merely mouths dialogues and delivers those well, as expected of an actor of his calibre. But it’s just another lawyer in a Hindi film. There is no nuance to his flat character.

The taut and well written screenplay, although inspired by a Korean film, “Sebeun Deijeu”, meaning “Seven Days”, is cleverly layered, giving the film an intrigue factor throughout. Never once is there a dull moment and the film keeps you riveted to the screen.

“Mohabbat hai, isliye to jaane diya. Zidd hoti, to meri bahon mein hoti” and “Race or case dono peecha nahin chodte.” Many such dialogues in the film are dramatically poetic, sharp and hard-hitting. Others with their sardonic tinge, elicit a chuckle or two in some scenes.

The music is subtly and cleverly used and there are no unwarranted song sequences to break the uninterrupted viewing experience. “Jane tere sheher ka kya irada hai”, sung by Vipin Aneja, is soulful and touches your heart.

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